Transatlantic Crossings: Madubuko Diakité and Black Radical Documentary, Film Quarterly 76, no. 3 (Spring 2023): 12-24.
War and Humanitarian Aesthetics: Notes on Modular Immersion, Journal of Cinema and Media Studies 61, no. 3 (Spring 2022): 176-182.
Poetics of Refraction: Mediterranean Migration and New Documentary Forms. Film Quarterly 74, no. 3 (2021): 35-45.
The Black Box of Detention: Migration, Documentary, and the Logistics of the Moving Image. Special Issue of The Global South: "Global Migration and International Film History," Robert Jackson (ed). 2020.
ISIS and the Global Image War: An Archival Perspective on Iconoclastic Performance and Bio-Political Authority. Inquiries Journal, 2016, vol. 8 no. 11
Libre: Debt, Discipline and Humanitarian Pretension in The Entangled Legacies of Empire: Race, Finance and Inequality, edited by Paul Gilbert, Clea Bourne, Max Haiven, and Johnna Montgomerie. Manchester University Press, Forthcoming Spring 2023.
The Noncitizen Archive: Transversal Heritage and the Jurisgenerative Process, in Beyond and Between Borders: Migrant, Multicultural and Diasporic Heritage (Routledge Key Issues in Cultural Heritage), Eureka Henrich & Alexandra Dellios (eds). 2020.
Reconfiguring Representation: Rebecca M. Schreiber’s The Undocumented Everyday, Social Text Online, November 2018.
Review: Technoliberalism and the End of Participatory Culture in the United States, InVisible Culture – An Electronic Journal for Visual Culture, September 2017.
Article on Peter Watkins' La commune (Paris, 1871) for the Swedish film magazine FLM. September 2021.
Interview with Sierra Pettengill for e-flux, on The Rifleman (2021). May 2021.
Before, Within, Around, Beyond: World-Making in the Digital Archive, World Records, 2020.
The Undocument, Diacritics (Unarchive series), June 2020.
The Public Procurement of a Biometric Love Story, Orphans Film Symposium, May 2020.
End, e-flux journal reader, April 2020.
christian@rossipal.se
christian.rossipal@nyu.edu